Caroline is a British artist who shares her time between the UK and Australia. She is currently based in Melbourne, Australia. Having studied a Bachelor of Fine Arts at the Victorian College of Arts, the second year of her degree was spent at Massachusetts College of Art, Boston, the experience being instrumental in developing her painting style. Since graduating, she has exhibited in solo and group shows in London, Lisbon, LA, Sydney, Brisbane and Melbourne and completed a residency at PADA in Portugal.
Her works reside in private collections in the USA, the UK, and Australia, including the JAHM collection in Melbourne.
OTOMYS: As a British painter now living in Melbourne, with the past eight months spent living and traveling abroad, have any particular aspects of these diverse environments influenced or shaped your work for Otomys?
CAROLINE COLLOM: My surroundings always find their way into my studio, as I’m constantly observing and photographing both the architectural shapes and intricate details around me—the structures, the floor, walls, textures, and the way shadows move across buildings. This body of work was primarily driven by colour, inspired by my time in Italy and Portugal last June, where sunlight bathed painted walls in rich, vibrant hues. These walls became artworks in their own right, showcasing subtle repaints, layered blocks of colour, and beautiful imperfections. As I composed these pieces, I found myself cropping further into my imagery, creating larger, more defined shapes. I see this shift as a reflection of the confidence and growth I gained during my time abroad.
OTOMYS: You have an eye for colour; the conversations between your neighbouring or overlapping tones are compelling. Some are quietly sophisticated whilst others are vibrant, uplifting and youthful. Can you describe your references for colour and your process of layering these into a composition?
CAROLINE COLLOM: Thank you! I’m so pleased that my use of colour is recognised at that level. Colour has a profound influence on me (as it does on many), and I strive to convey that through my work, inviting the viewer to observe subtle nuances in tone and the relationships between them. I print out my photographs and carefully isolate the colours I want to incorporate into a painting. It’s also not uncommon for me to sketch a rough composition beforehand, creating a loose plan to guide the process. This helps me stay mindful of how colours change through layering, working from the back to the front of the painting. My passion for colour is further reinforced by my use of oil paint and a deep respect for the integrity of each pigment I work with.
OTOMYS: In the simplicity of your colour fields you gently balance stillness with movement, how do you achieve the subtle shifting vibration in some of your work?
OTOMYS: You speak of your work 'isolating abstract forms from their original context to explore their independence', can you explain this in more detail?
CAROLINE COLLOM: Yes, through the processes I’ve described earlier, I find that the abstract forms in my paintings take on a life of their own, separate from their original context. As they interact with other shapes within the composition, they develop new relationships and meanings, forming a unique abstract language in each piece. This transformation encourages a fresh perspective on shape, space, and colour.
OTOMYS: What is it about your art practice that you enjoy most?
CAROLINE COLLOM: It’s an absolute privilege to be an artist, and what I love most is the process of creating something out of nothing—inviting people into my abstracted world and allowing them to experience it in their own way.